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Sundance Review: 'Tell Them We Are Rising' Underscores The Legacy & Importance Of Historically Black Colleges And Universities

Group of graduated students, men and women at Atlanta University To this day, education is not an inherent right. The effects of segregation are still deeply steeped in the Black community, and unless there is careful nurturing within the family home or by some particularly devoted educators, many Black people in this country have found themselves severely under and uneducated. Despite the lack of resources that are devoted to many public schools particularly in impoverished communities; Black people have always desired the opportunity to learn more about not only themselves but also the world around them. After all, is that not education’s purpose?

In his documentary feature, “Tell Them We Are Rising: The Story of Historically Black Colleges and Universities,” Emmy Award-winning documentary filmmaker, Stanley Nelson tells the virtually untold story of the institutions that helped to redefine what it means to be Black in America. Beginning in the days of slavery when even teaching a slave to read could cost you your life no matter the color of your skin, Nelson opens his film by outlining what historian Marybeth Gasman labels as, the “brutality of ignorance.” White supremacists and plantation owners deeply feared uprisings should enslaved people become truly aware of the circumstances in which they were forced to live. Therefore, when Emancipation did come, the desire to read and learn spread like wildfire. It was as if, “the entire race awoke.”

Continue reading at Shadow and Act.

Image: Firelight Films

tags: Black Director, black docs, chocoaltegirlreviews, college, Education, HBCU, PBS, shadow and act, Stanley Nelson, sundance, Tell Them We Are Rising
categories: Culture, Film/TV
Friday 01.27.17
Posted by Aramide Tinubu
 

MONTREAL INTERNATIONAL BLACK FILM FESTIVAL REVIEW: ‘AGENTS OF CHANGE’ RECALLS AN UNTOLD STORY OF STUDENT ACTIVISM

agentsofchange02 Before the formation of Black Lives Matter, there was constant talk about my “lost generation” from those who came before us. According to them, millennials were lazy and self-centered since we’d never had to work for anything. We didn’t know what it meant to protest and to stand up for our Civil Rights since that moment was well before our time. I suppose no one could have foreseen how police brutality and the advent of social media would collide, exploding and rippling ‬‬throughout the country. It never seemed puzzling to me; after all, young people have always been at the forefront of change across the globe. Youth provides the stamina to tuck in and stick with a cause for the long haul.

The 1960’s were such a tumultuous time in our country’s historical framework that we often overlook the work done by student activists on college campuses. We are taught (if we’re lucky) about Rosa Parks and Martin Luther King Jr., the Montgomery Bus Boycott and the March On Washington. Except for the stories involving The Student Nonviolent Coordinating Committee (SNCC), student protests are often glazed over as a footnote in the history of liberation and Civil Rights. Or worst still, they aren’t mentioned at all.

Filmmakers Frank Dawson and Abby Ginzberg were students who actively participated in the April 1969 Cornell University protests that successfully reshaped how Black students were perceived on campus. As a result, the duo has a distinct and unique perspective of what occurred on that fateful morning Black students took over the Student Union, emerging with guns in hand a day later with the promise of a more robust and meaningful education. In “Agents Of Change,” Dawson and Ginzberg take us back to their time at Cornell and travel across the country to assess the highly publicized and violent strike at San Francisco State University the year prior.

As a Black woman who received her education at two predominantly white universities in the past decade, I cannot overstate how isolated I often felt. As the only Black woman to graduate from my undergraduate program my year at a University of 25,000 undergrads and the single Black person in my graduate program; I found it both exhausting and frustrating, especially when it came to voicing my opinions on specific topics. Still, since I attended college in the 21st century, I was given the opportunity to take classes on everything from Black women in slavery to Blaxploitation. Though my living spaces were often void of people of color, I took refuge in my Black professors and in the Africana Studies departments in my schools. Unfortunately, it never occurred to me that these options might not be available to me, had it not have been for students demanding these types of curriculum years before I was even thought of.

Continue reading at Shadow and Act.

tags: '60s, Agents Of Change, black doc, chocoaltegirlreviews, Chocoaltegirlscreens, Civil Rights, Montreal International Black Film Festival, shadow and act
categories: Film/TV
Sunday 10.02.16
Posted by Aramide Tinubu
 

Urbanworld First Look: Issa Rae’s ‘Insecure’ Is a Love Letter to Black Women

160822-insecure-keyart-1024x374 Some weeks ago, I logged into Facebook and became enraptured by a status an old college friend had recently posted. It read, “I trust Black women more than any other group of people.” Initially, I thought nothing of it, since it also rang true for me, but as I scrolled through the comments under the post, it was clear that my brown skin girlfriend had hit a nerve.

In the media and in our own community, Black women are told who we are, how we should be and what we’re going to be. We’re the most educated group of people in this country and yet we’re told our education will greatly diminish our chances at a “fairytale” home life. (Whatever that means.) In one breath we’re told we don’t give Black men a chance, and in another, we are told we baby our Black sons. We’re too loud, or we don’t speak up enough. We’re too weak, or too feminist. Or my personal favorite, our standards are just too high. According to everyone else, we’re just too damn much, and we need to fix a laundry list of things in order to find love, happiness, and security. It’s a constant and exhausting stripping of our humanity. It seems natural then that we gravitate inward towards one another. (Despite what the media tries to say.) As my friend’s Facebook post so bluntly put it, the reason I’m still living (and thriving) in this precarious space we call life as a Black woman, is because of the other Black women I choose to surround myself with.

Issa Rae’s long awaited and highly anticipated HBO series “Insecure”, puts the narrative of Black women back in our hands, while paying homage to our fellow sisters.

Continue reading at Shadow and Act.

tags: 2016, Awkward Black Girl, chocoaltegirlreviews, chocolategirlscreens, HBO, Insecure, Issa Rae, Jay Ellis, shadowandact, Urbanworld Film Festival
categories: Culture, Film/TV
Sunday 09.25.16
Posted by Aramide Tinubu
 

Tribeca Review: Ghanaian Filmaker Priscilla Anany’s ‘Children of the Mountain’ is a Graceful Film About Motherhood, Sacrifices & The Frailty of Our Humanity

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d90cedd3-540f-4dad-b883-e1c04beb62de As a Black woman, who is currently child free, motherhood seems like a foreign concept to me. The thought of putting someone else’s needs and desires above my own is an alarming idea, one I’m uncertain I’ll ever be prepared for. What I do know about motherhood is what I’ve learned from my own mother. You simply have to give; openly, freely, and without question.

Ghanaian director Priscilla Anany’s debut feature, “Children of the Mountain” follows Essuman, a beautiful yam merchant through her journey of acceptance and motherhood.  Played by Ghanaian/Nigerian actress Rukiyat Masud, Essuman lives in metropolitan Accra.  She has chosen to defy tradition by boldly taking up with her neighbor’s man, and having his child. The film opens in the final days of her pregnancy. Though her neighbors whisper about her circumstances, she holds her head high while proudly rubbing her swollen belly. Essuman is arrogant and naive about her future. Like many women that have come before her, and those that will come after, she has allowed herself to get swept away in her lover, Edjah’s, empty promises. Determined to bring a male child into the world, so that Edjah will marry her, Essuman’s dreams are shattered soon after she gives birth.

Essuman’s son, Nuku, is born with a clef lip, cerebral palsy and Down syndrome. As he takes his first breath, the bubble that has encased Essuman immediately bursts. Appalled by the baby’s appearance, Edjah uses his mother as his mouthpiece to reject both Nuku and Essuman. The cruel, old woman goes as far as to suggest that Essuman put the child out of his misery. Essuman’s sole confidant during this tumultuous time is her best friend, Asantewaa.  A barren woman, Asantewaa sees the beauty in Nuku even when Essuman refuses to. It is not Essuman, but Asantewaa who comforts and holds him during his first days of life. Though Essuman eventually begins to bond with her son despite his disabilities, a heartbreaking diagnosis from the doctor sets her off into an obsessive tailspin.  Desperately searching for a cure to her son’s illnesses, Essuman leaves no stone unturned.  She seeks the help of everyone, from conniving medicine men to volatile religious leaders.

Continue reading at Shadow and Act.

Image: Children of the Mountain

tags: black film, Children of the Mountain, chocoaltegirlreviews, female directors, Ghanaian Film, Priscilla Anany, shadow and act, Tribeca Film Festival
categories: Culture, Film/TV
Wednesday 05.04.16
Posted by Aramide Tinubu
 

Urbanworld Review: '3 1/2 Minutes, 10 Bullets' is a Gut-Wrenching Tale of Two Parents’ Determination to Seek Justice

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3 ½ MINUTES, TEN BULLETS IMAGE 3 - Lucia McBath.jpg Perhaps you've marched and rallied in the various #BlackLivesMatters protests over the past several years, or you're possibly connected to the thousands of gun violence victims and their families. Maybe you've watched the stories on television and read about them in the newspapers or on the Internet. Whatever your involvement, surely Trayvon Martin, Eric Garner, Sandra Bland and Jordan Davis’ names mean something to you.

For Jordan Davis’ parents especially, his name meant everything. “3 1/2 Minutes, 10 Bullets” is Jordan Davis’ story, it's a heartbreaking tale of two parents desperately seeking justice for their child. In 2012 on Black Friday, Jordan Davis was in a parking lot with two friends waiting for a third to come out of a gas station. The boys were relaxing in the car, blasting their music, and enjoying the early evening in Jacksonville, Florida. A white man named Michael Dunn decided that their music was too loud for him. Words were said, and 3 1/2 minutes later, Jordan Davis was dead.

The film opens with Jordan's parents, Ron Davis and Lucia “Lucy” McBath, discussing how they choose his name and moves through Michael Dunn’s murder trial, as the duo ban together to seek justice for their baby boy, who will be eternally 17 years old.  As if we were sitting in the courtroom ourselves, the audience becomes privy to inside information about the case. From very small details, like the time Davis last spoke to his girlfriend to Dunn's phone calls from prison to his fiancée, everything is slowly revealed. The audience hears from Davis' girlfriend, and the boys who were there on his last day. We learn who he was; that he was a terrible basketball player and a sharp dresser, and we get the smallest glimpses of the man he might have become. Davis was extremely close to his father, he was funny, loved, and outspoken. Throughout the film Jordan Davis speaks directly to us, and we listen because his parents demand that he be heard.

Much of the film felt very much like an episode of “First 48” or another reality crime program.  Jordan's last moments become reduced to the things he did that day, to the clothes he was wearing, and what he allegedly said. It's a film that is not only deeply rooted in race, but also grounded in gun violence and Florida's absurd “stand your ground” laws. It’s about this law's inability to work properly within our system. After all, it's absurd and impossible to try and determine what another human being is thinking.

Continue reading at Shadow and Act.

Image: 3 1/2 Minutes, 10 Bullets Film

tags: 2015, 3 1/2 Minutes 10 Bullets, BlackLivesMatter, chocoaltegirlreviews, chocolategirlscreens, Jordan Davis, Urban World Film Fesitival
categories: Culture, Film/TV
Monday 09.28.15
Posted by Aramide Tinubu
 

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