'Whitney' Is Sobering But Lacks A Fresh Perspective

Whitney Houston’s voice was almost otherworldly; there's no denying it. Her legacy, though fraught with pain and tragedy, will never be erased. There has been much speculation about Houston, her career and the addictions that eventually led to her death, and now in the documentary film Whitney, Houston's family and director Kevin Macdonald are presenting their account of the late idol's life. Much of the film comes from the perspective of those closest to Houston, including her brothers, Michael and Gary, as well as her mother, Cissy Houston; ex-husband Bobby Brown; and even her co-star Kevin Costner. Using these confessionals, Macdonald outlines The Preacher’s Wife actress’s childhood in New Jersey through her death on that fateful February day in 2012. What stands out immediately is that the details of Houston’s childhood are up for debate. While some in her inner circle insist that her childhood was idyllic in spite of her parent's divorce, others tell a different story altogether. These never discussed aspects of Houston's adolescence paint a heartbreaking tale of molestation and immense pressure to get her voice just right.

While the narrative is intriguing, some of the stylistic choices in Whitney are odd. Macdonald intercuts footage like MTV commercials and news specials throughout the film with then-contemporary footage of Houston in an attempt to orient the audience. However, it often felt distracting. Additionally, though the film was executive produced by The Bodyguard star's sister-in-law, Pat Houston, and involved several close members of the Houston family, Macdonald did not spend a great deal of time with those nearest and dearest to Whitney, including her mother. The on-camera interviews in the film are heavily edited. Choppy cuts and transitions raise questions about authenticity, Macdonald's access and the impartiality of Whitney.

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ABFF 2015 Review: 'In My Father’s House' Is a Powerful Work on Family, Abuse and Fatherhood

Statistics say that 75% of Black children are born in single-family households, a number that has increased exponentially since the 1960s. Directors Annie Sundberg and Ricki Stern’s surprisingly bold documentary "In My Father’s House" follows Che ‘Rhymefest’ Smith as he embarks on a journey to find his absentee father, a man that he never knew. After buying the house that his father grew up in, Che is suddenly desperate to learn about the man who is responsible for his existence.

At first glance, the subject seems rather tiresome and cliché. Another Black man without a father, Che defied the odds and left behind his rough Chicago neighborhood and found major success in music. (He co-wrote “Jesus Walks” with Kanye West and “Glory” with Common and John Legend.) However, when Che finally does reconnect with his father, he finds him living on the street a few blocks from his home. Brian Tillman is a destitute man; he’s an alcoholic who has been living on the streets of Chicago for the past twenty years. And yet, despite his circumstances, Brian brings light humor and warmth to an otherwise devastating subject matter. He’s charismatic and extremely intelligent, but also somehow broken, either by the cycle of Black oppression or something equally as sinister.

A Chicago native, it was thrilling to see the real Chi-town on screen. The film showed neighborhoods and places that were familiar to me, it didn’t focus on the glitz and glam of downtown. The documentary felt authentic because it didn't smooth over the grit and ugliness of the city. Like "Hoop Dreams" (1994) and "Cooley High" (1975) the city wasn’t simply a backdrop in the story. The harsh winters, segregation and violence all honestly played a part in the story. Brian lived and thrived on the streets and the camera was right there with him.

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Image: 'In My Father's House' Film